The Exorcist III

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A Washington, D.C. policeman investigates a series of grisly murders. The murders, which involve torture and the desecration of religious icons, mysteriously resemble those of the long-deceased Gemini Killer. Based on the novel “Legion” by William Peter Blatty., Forget the diabolically-bad Exorcist II. This is the ‘official’ sequel to the notorious original, and it’s a worthy successor. Fifteen years after Regan MacNeil spewed forth her pea-green soup, cop George C Scott is dragged into an ungodly maelstrom at the local psychiatric ward when a series of ritualistic murders rock Washington. Largely replacing outright gore with implied terror, the film plunders Brad Douriff’s possessed mind to powerful and disturbing effect., The second sequel to the landmark 1973 horror film The Exorcist, this horror outing has little to do with the previous two. This time, the story centers on a police detective who for the past 15 years has been obsessed with solving a series of murders that occurred on the night of the first exorcism. These murders were exceptionally brutal and seemed to be the work of a serial killer who was executed in a prison that very night. A pair of priests assist with the gumshoe’s investigation., A police lieutenant uncovers more than he bargained for as his investigation of a series of murders, which have all the hallmarks of the deceased ‘Gemini’ serial killer, lead him to question the patients of a psychiatric ward., The Exorcist author William Peter Blatty is back with the second sequel to his 1973 hit. Fifteen years after the violent exorcism of Regan MacNiel, Lieutenant Kinderman is on the trail of a serial killer whose MO is identical to that of the long-dead Gemini Killer. Could demonic possession be to blame?, Forget Exorcist II – this is the ‘official’ sequel to the notorious original, and it’s a worthy successor. Fifteen years after Regan MacNeil spewed forth her pea-grean soup, cop George C Scott is dragged into an ungodly maelstrom at the local psychiatric ward when a series of ritualistic murders rocks Washington. Largely replacing outright gore with implied terror, the film plunders Brad Dourrif’s possessed mind to powerful and disturbing effect.

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